Without getting too heady about it, look at Hillary and Barack's heads and apply a little dance criticism and some Marshall McLuhan and Martha Graham.The latter said, "movement never lies." I take that as gospel. McLuhan talked about how the eye can edit, pick and choose what it wants to see. But the ear must take in the whole sound of the symphony. It cannot be selective about trumpets over oboes, if both are playing at the same time.
Why is Barack making such in-roads with people even when what he is saying may be "empty rhetoric"? It is the tilt of his head, the timing of the tilt, the breakout of a smile, the way his head receives the information and listens. He is mouth and eyes. She is forehead and jaw. He is sensual and spiritual -- and, to apply further Francois Delsarte's ideas about faces and heads -- she is intellectual and physical. He seems more honest, more transparent, less calculated. Her head dodges and, then, goes on the offensive chin first to (re)butt. He only lifts his chin to her when she stretches the truth about him.
Next debate, turn off the sound and watch their ballet. But then, to honor McLuhan, turn yourself around and just listen. It is he who stalls ever so slightly on "ums" and "ers," while she is more dependably smooth.
Playing with the difference between eye and ear as if your life depended on it is an arts journalist's gig. Barack's making global inroads because our eyes overrule our ears and that, for the moment, shapes the way many perceive the world. Seeing is believing. It favors a particular point of view...and Barack Obama. Don't you think?




Wow. Now we're resorting to parlor tricks in an attempt to write off Obama's messages. Coming up next: if you watch the debates with one eye closed and hop up and down on one leg while cradling a turkey, Hillary will appear to come out on top. Send this one to Mythbusters.
Letting loose your inner Leabhart, eh, Sasha? If only we could see which of them stands on bent knees...
xoxo,
W