Sebastian Smee and a Pulitzer grin
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This week's links to NAJP members' work:
Hilton Als reviews "The Motherf**ker with the Hat" et al (The New Yorker)
Alicia Anstead on improv and the brain (Scientific American)
Martin Bernheimer reviews Riccardo Muti's "Otello" at Carnegie (Financial Times)
Martin Bernheimer on "Séance on a Wet Afternoon" at City Opera (Financial Times)
Misha Berson on the future of the Intiman Theatre (The Seattle Times)
Timothy Cahill on love, justice, and the power of art (Art & Document)
Robert Christgau on tUnE-yArDs, No Age, Superchunk et al (Expert Witness)
Michael Feingold reviews "War Horse" (The Village Voice)
Michael Feingold reviews "Go Back to Where You Are" (The Village Voice)
Christopher Hawthorne on LA landscape architects' anonymity (Los Angeles Times)
Ann Hornaday reviews "Nostalgia for the Light" (The Washington Post)
Julie Lasky on young designers at the Milan Furniture Fair (The New York Times)
Julie Lasky on the Milan Furniture Fair at 50 (The New York Times)
Glenn Lovell reviews "The Bleeding House" (CinemaDope.com)
Glenn Lovell on directors' opposition to PPV premieres (CinemaDope.com)
Anne Midgette on opera in film (The Washington Post)
Anne Midgette on Trio Mediaeval's "Worcester Ladymass" (The Washington Post)
Renee Montagne on 54 poets' cross-country poetry relay race (NPR)
Tom Moon reviews Gretchen Parlato's "The Lost and Found" (NPR)
Ann Powers on the need for healthy tension on "American Idol" (Los Angeles Times)
Craig Seligman on David K. Shipler's "The Rights of the People" (Bloomberg News)
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