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September 3, 2012

Collected Stories

This week's links to NAJP members' work:

Martin Bernheimer on Mostly Mozart (Financial Times)
Martin Bernheimer on three faces of the Met (Promenade Magazine)
Larry Blumenfeld on Ginny's Supper Club (The Wall Street Journal)
Larry Blumenfeld on singer Luciana Souza (The Wall Street Journal)
Laura Collins-Hughes reviews Robert Hass' "What Light Can Do" (The Boston Globe)
Steve Dollar on the Criterion reissue of "Quadrophenia" (GreenCine Daily)
Steve Dollar on Norman Mailer and "Maidstone" (The Wall Street Journal)
Michael Feingold on Sam Shepard's "Heartless" at Signature (The Village Voice)
Patti Hartigan on "Stella Adler on America's Master Playwrights" (The Boston Globe)
Christopher Hawthorne on the Venice Architecture Biennale (Los Angeles Times)
John Horn on Ben Affleck and "Argo" (Los Angeles Times)
John Horn on Helen Hunt and "The Sessions" (Los Angeles Times)
Ann Hornaday reviews Mike Birbiglia's "Sleepwalk With Me" (The Washington Post)
Julie Lasky on furniture design's classics of the future (The New York Times)
Julie Lasky on Edith Wharton as a designer (The New York Times)
Glenn Lovell reviews "Premium Rush" (CinemaDope.com)
Glenn Lovell reviews "The Apparition" (CinemaDope.com)
Anne Midgette on a festival for John Cage's centennial (The Washington Post)
Peter Plagens on Alighiero Boetti et al (The Wall Street Journal)
Ann Powers on Bob Dylan's "Duquesne Whistle" (NPR)
Ann Powers on hidden pop hits (NPR)
John Rockwell on "Einstein on the Beach" (The New York Times)
David Streitfeld on trust and the reader-generated review (The New York Times)
Kenneth Turan reviews "The Ambassador" (Los Angeles Times)
Kenneth Turan reviews "Samsara" (Los Angeles Times)
Calvin Wilson on a dance-theater "Jane Eyre" (St. Louis Post-Dispatch)
Calvin Wilson on "Compliance" (St. Louis Post-Dispatch)

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    the National Arts Journalism Program, an association of some 500 journalists in the United States. Our group blog is a place for arts and cultural journalists to share ideas and information, to celebrate what we do, and to make the case for its continuing value. ARTicles is edited by Laura Collins-Hughes. To contact her, click here.
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