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Update 10:39pm PDT:

Amazon.com tells Publishers Weekly the de-ranking of gay and lesbian books on its site was a "glitch."  Is this PR backpeddling, or a perfect storm of technological error and inept customer service, or could it be that, as a Facebook friend humorously surmised, "a homophobic programmer just got fired"?

Amazon received a flurry of online protests and became the subject of today's biggest Twitter trending topics #amazonfail and #glitchmyass after writer Mark Probst blogged that Amazon had indiscriminately stopped ranking gay and lesbian books because of their "adult" content.  (See below.)


1:32pm PDT:

Amazon.com is apparently removing gay and lesbian books from bestseller lists, some searches, and sales rankings:

http://markprobst.livejournal.com/15293.html

Amazon also swept former NAJP fellow Minal Hajratwala's book Leaving India into its "gay-and-lesbian-and-therefore-adult-and-inappropiate" net.  Hajratwala is gay and alludes to her sexual orientation in her writing, but her book primarily chronicles the Indian diaspora and includes no explicit sexual material.  She recently logged on to Amazon only to discover that her book had disappeared from searches both for her name and the title of her book:

http://www.minalhajratwala.com/blog

As if it weren't enough that Amazon has taken over how we buy books, now it's censoring what we buy as well. 

That leaves this infuriated writer and reader only one choice: Buy independent...and sign the petition.

(Entry updated thanks to Minal Hajratwala's comment.)

This one's in Wales. Three North American critics and three Welsh critics will be chosen for the program, which runs this summer. Deadline is April 20.

The program will involve two workshops, the first in Wales from May 24-30th 2009, and the second in Washington, DC from June 23-29th 2009.

Designed to develop coverage and critical discussion of Welsh arts, the program offers participants the opportunity to join intensive transatlantic workshops focused equally on developing their critical abilities, international discussion of Welsh art forms and developing relationships between the media in Wales and North America.  The program will also encompass bilingualism and takes as its starting point coverage of Welsh activity in Washington DC during the Smithsonian Folklife celebrations this summer.

Over the course of the program time will be spent in both Wales and Washington DC, with participants attending writing workshops and a variety of performances alongside gallery visits.  They will write reviews, discuss their work together and explore the role of the art critic. 

More info here.

Could it be that in gauging the worth of journalists readers take their cue from the cavalier way in which we treat one another? 
 
How many times have you misspelled a colleague's name in an e-mail because you were too lazy to look it up? How many times have you guarded your beat -- and Rolodex -- from a fellow reporter whose coverage dared to butt up against yours? 
 
How many times have you reached for the phone or keyboard to find out how a laid-off associate is faring in his/her new life away from daily newspaper-ing? 
 
To one degree or another, we're all full of ourselves. It comes with the turf, no? J-school instilled that. Taught us to be driven, persistent ... self-obsessed in the pursuit of the scoop. 
 
The word "collegial" surfaces occasionally, but it comes off as flat, foreign-sounding when uttered by an editor. It's usually reserved for the dreaded performance review. 
 
These sentiments were sparked by the passing of a dear friend named Eirik Knutzen. Eirik, 64, was one of the brave ones. While the rest of us needed the security of a weekly salary and benefits, Eirik, being a singularly independent fellow, flew without a net. He freelanced for almost his entire career. 
 
At one time, he occupied an office in the old Bank of America building in Westwood. That's where I visited him when in town covering this or that press junket. Among his clients, the Copley News Service and Toronto Star, which published his TV dispatches and columns for 17 years. His celebrity profiles -- of everyone from Johnny Carson to Jim Carrey -- ran in most of the papers in this country and, before the advent of Internet thievery, many overseas. 
 
Like most of us in this business, Eirik wasn't a "name," but he was a respected writer who never took himself or the entertainment scene too seriously. It repaid him in full. When he died last month in Rancho Mirage of complications from a long battle with heart disease, his passing went all but ignored by colleagues. (Life partner Lani Young published a lovely remembrance in The Desert Sun.)
 
The Toronto Star -- which dropped his byline when he needed the paper most -- assigned someone to the obit who obviously didn't know, or care. The story was about a longtime Star fixture named Eirik Knudsen. A setrec on the misspelled surname ran a day later. 
 
"I was very embarrassed by this particular error," said entertainment editor Douglas Cudmore. "We've spoken to those involved and run a correction. Thanks for writing." 
 
Eirik, one of the great iconoclasts, would have managed a pained smile, and then remarked, "You can't fault them for being inconsistent."

Charles Ward, classical music critic for the Hourton Chronicle for 33 years is the latest:

A lot of factors coalesced at the very last minute. In September, the president/publisher of the Chronicle announced he would eliminate 80 jobs through buyouts and layoffs. After much hemming and hawing, and conversations with friends and family. I decided to apply Tuesday for the buyout. I heard this afternoon that my request was approved.

Initially I will try recover from the separation, get much needed rest, start crafting a life after the multifurcated schedule I've kept for 33 ¾ years (I started at the Chronicle on Dec. 30, 1974), and taking a delayed trip to Germany. Thanks to everyone who have provided a varied, intriguing and often illuminating classical music scene in Houston. I do plan to continue to enjoy it. Sincerely, Charles Ward

Join the NAJP as we go to Washington, DC for the 2008 National Lesbian and Gay Journalists Association (NLGJA) Convention August 21-24.  We will present our workshop Promoting Diversity Through Arts Journalism Friday, Aug. 22, at 11am.
 
I will be moderating the panel that includes author and Pulitzer Prize winner Margo Jefferson, Metro Weekly editor-in-chief and co-publisher Randy Shulman, and NPR digital media producer Trey Graham. 

Find out why we're going on the NLGJA website:



The panel will explore questions including:

•    How can we better cover minority artists and how can minority artists get better press coverage?
•    How do we ensure that minority arts groups are not relegated to a "special interest" category in the press?
•    With the recent cutbacks in arts coverage, how do we ensure the vitality of cultural reporting and give voice to lesser-known artists? 
•    How do we make minority arts stories accessible to the general readership?
•    How do we diversify the pool of critics so that diverse artists and communities receive better representation?

If you have any issues you'd like to see addressed, please send us a comment. 

This workshop is part of NAJP's goal that cultural reporting reflect what we term not diversity, but "reality"-- the reality that arts journalism comprises journalists and artists of all races, genders, and sexual orientation.

"NLGJA Goes to Washington" promises three days of hands-on workshops, hot-topic panels, and networking opportunities at the Hilton Washington Hotel.  Learn more and register here.
 

Chris Page was a theater reviewer for the East Valley Tribune in Mesa, Arizona.

Page had worked for "Get Out," the Tribune's entertainment weekly, for more than five years and had been among a reported 11 people laid off about three weeks ago. The Tribune layoff followed an earlier one a couple of months ago in which four people were dismissed, including the editor of the features department, Cheryl Kushner. The Tribune, like many daily newspapers across the country, has been struggling to adjust to a sharp decline in circulation.

Page was also a fellow in the NEA's theatre critic fellowship program at USC in 2005.

Dance criticism has taken a big hit recently.  Hard on the heels of Deborah Jowitt's sudden departure from The Village Voice, The Orange County Register has lost dance critic and former NAJP fellow Laura Bleiberg.  Apparently, Bleiberg was the last full-time newspaper dance critic in all of California.  

On The OC Register's Arts Blog, Bleiberg admits that she is not sure if the Register will replace her with another staff dance critic.  She is leaving the Register to join South Coast Repertory as Associate Director of Development.

Another former NAJP fellow Valerie Takahama also left The Register in August, after working there 19 years.  She says part of the reason she was let go was that "they felt they didn't need an architecture writer anymore."

Critic Elizabeth Zimmer has just posted the news on artsjournal.com that critic Deborah Jowitt, who for four decades covered dance at the Village Voice, was fired from her staff position -- although she's welcome, apparently, to continue writing as a cheaper freelancer. Quite a collection of critics, those Voicers who've been canned ...

UNITY, the alliance of four national journalism associations promoting diversity (Asian American Journalists Association, National Association of Black Journalists, National Association of Hispanic Journalists, and the Native American Journalists Association) recently released its list of workshops for its 2008 quadrennial convention.  Of its more than 100 workshops, not one covered arts journalism.

There's a workshop about business journalism, one on health coverage, and even one on - get this - gossip reporting!  Remember, like the Olympics, this convention only occurs once every four years.

The NAJP submitted a proposal for a workshop called "Promoting Diversity Through Arts Reporting."  And despite having a fabulous panel that included a Pulitzer Prize winner and one of the most respected magazine editors in the country, the selection committee passed over our idea.  We wondered what we could have done better, what we could change if we were to apply in 2012.  Maybe we just shouldn't submit a proposal about... arts coverage!  

What does it say about our field when a group preaching diversity leaves arts journalism out of its own diverse agenda?

How's this for niche marketing?

Obviously aware that consumers with a twisted sense of humor are gathering for the hit series "Dexter," advertisers are anchoring some of their less savory clients to the prime-time Sunday show.

During this week's episode - about the increasingly messy double life of a Miami forensic scientist-serial killer -- there wasn't a single commercial block that didn't showcase something of a sanguinary nature.

The evening began with a spot for the "30 Days of Night" zombie DVD and wound up with a preview for the upcoming creepfest "Shutter."

Wedged in between was DirecTV's takeoff on "Misery," with Kathy Bates reprising her Oscar-winning role as Annie Wilkes. This time, however, Annie shows author Paul Sheldon (James Caan) some mercy: She hobbles him ... but lets him keep high-def sports.

 Hey, when you've got a captive audience, you might as well get out the sledgehammer.

 Contact Lovell at glovell@aol.com