Results tagged “Nilo Cruz” from ARTicles

There's a great scene near the beginning of the movie "In & Out" where Oscar nominee Cameron Drake (Matt Dillon), walking the red carpet on the way into the ceremony, pauses for an interview with entertainment reporter Peter Malloy (Tom Selleck).

"Everyone's saying that you won't be going home empty-handed," the reporter says. "How do you feel about that?"

"Well, basically, to me, uh, awards are meaningless," the star replies. "Um, I'm an artist, uh, it's about the work, all the nominees are artists -- we shouldn't be forced to compete with each other like dogs."

"Well, I hear ya. Good point," the reporter says. "So then why're you here?"

"'Case I win," the star says, flashing a smile. Then he turns and waves to the screaming fans.

I mention this because all day I've been trying -- futilely, as it happens -- to resist the urge to respond to Ben Brantley's take on this year's drama Pulitzer. "I have never bought a book, read a poem or seen a play because it was by a Pulitzer winner," he writes in today's New York Times. "So any indignation being vented over this year's Pulitzer Prize in drama leaves me a bit mystified."

Even if he hadn't qualified his lack of respect for the Pulitzers by confining it to "the categories devoted to the arts" -- a handy asterisk for a newspaper reviewer -- that would be a curious, rather navel-gazing thing for a critic to say. He's right, of course, that "the Pulitzers have usually gone to firmly middlebrow works." Even so, dismissing the awards as measures of artistic merit is one thing; denying their power is another. The Pulitzer Prize may be a marketing tool, but that doesn't make it meaningless.

April 14, 2010 3:46 PM |


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