Results tagged “American Idol” from ARTicles

I know, it's too much to ask: Could we please, pretty please, have an "American Idol" judge who knows what he/she is hearing? Doesn't matter if said person is a celebrity or not -- just possesses a bit more of an aesthetic than the last two judges....

In the words of one potential candidate: "Dream On."

So I don't watch American Idol start to finish. My wife and daughter follow the show, and our family joke is that I always wander through at the worst possible times, when the singers are particularly adrift and earnestly butchering whatever song.

Last night, though, something different happened. I turned up just as Crystal Bowersox was beginning "Summer Wind." It was "Sinatra" night, with Harry Connick Jr. leading the remaining five singers through the great one's songbook. There was reason to be worried, as Sinatra's art is about subtlety and Idol is decidedly lacking in that department.

Ummm, would it have been too much trouble for the esteemed judges of American Idol to mention the original Chaka Khan recording of "Through The Fire" after Siobhan Magnus attempted it last night?

Magnus obviously studied Khan's version, which is a technical tour de force of daredevil ad-libs and perfectly nailed upper-stratosphere high notes. (It should be noted that the tune, the second single from Khan's breakthrough I Feel For You album, was released in 1984, well before the advent of digital pitch correction.) The judges knew the song as well, and that knowledge inevitably factored into their reactions: Simon Cowell described her treatment of the demanding ballad as "manslaughter."

I'm not saying that Idol's mission should be educating its contestants (or its audience) about what singing is. But given the overall wretchedness of this year's field, a few breadcrumbs sure couldn't hurt. And Khan is exactly the kind of singer Magnus and other boot-wearing belters could use as a role model. Check out the way Khan handles the tumultuous climax of "Through The Fire": The tune seems to practically demand that the singer let loose, and yet Khan doesn't simply open the floodgates -- instead, she carves up the melody ten different awe-inspiring ways. She's as emotionally invested as Adam Lambert has ever been about any TV appearance, and somehow manages to convey this without shrieking or shouting. Instead, she sings. What a concept.