Results tagged “Museum of Contemporary Art” from ARTicles
The Los Angeles Times ran two prominent stories last week, including one on the front page of the April 30 edition, about billionaire Eli Broad's plans to build a museum for his contemporary art collection either in the city of Santa Monica or in downtown L.A. Broad, who is often described as a tough negotiator, appears to be pitting the two cities against each other, hoping to get the best deal before he commits to a site.
There aren't many people in Los Angeles with as much money as Broad, so when he agrees to donate money for a new building or a cause, institutions are quick to cave to his terms. In this case, one or two officials in each city are balking at Broad's demands for virtually rent-free land, questioning whether it's in the public interest to lease Broad valuable plots of real estate for a total of $1 a year, so he can build a place to show off his art. They would most likely get an arresting architectural edifice, with his name prominently displayed on it. Broad, who made his first fortune building homes for average folk before making his second fortune selling insurance policies, expressed dismay at the chutzpah of these ungrateful officials.
Broad told the Times, "It just burns me that people are saying they're giving me, a billionaire, $1 a year for nothing without looking at the public benefit that's being created, without thinking of all these children that are going to go there free of charge and all the other benefits."
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On Friday in the Los Angeles Times, Mike Boehm reported more fallout from the cash crisis that recently imperiled that city's Museum of Contemporary Art: damning findings by the state and an embarrassing official slap.
The California Attorney General's office determined that the Museum of Contemporary Art skirted state law for years enroute to financial meltdown in late 2008 and ordered the museum to hire a consultant to help improve its financial management. The attorney general also required MOCA board members to receive special training in their fiduciary duties.
The findings and "required corrective actions" were included in a two-page letter to MOCA last November. The attorney general's office provided it to The Times this week after repeated inquiries.
Now comes news in The New York Times that the little-known, publicly funded New York State Theatre Institute "is rife with corruption, mismanagement, nepotism and possibly illegal conduct, according to a scathing report released on Tuesday by the state inspector general's office."
The report alleges that the artistic director, Patricia Snyder, treated the group as a personal fiefdom, routinely doling out acting roles, directing jobs, production work and other benefits to herself and her family members. Ms. Snyder steered a total of more than $700,000 in payments to her husband, her two sons, her two daughters-in-law and to herself, the report said.
Danny Hakim's story mentions that the report comes "four years after a New York Times article" -- his own -- "detailed nepotism and questionable spending practices by the institute."
Note those "repeated inquiries" Boehm made, and his aggressive reporting on the museum's crisis at the time. Note that long-ago Hakim story, the result of a careful examination of the theater's own records.
Boehm is an arts reporter, one of a diminishing number on staff at newspapers. Hakim covers Albany, not the arts, at least not usually; in this case, the two intersect. In arts journalism, we have a little habit of forgetting to include hard news in the definition of what we do. But it's one of the most important aspects of our coverage. It's also time-consuming, expensive, and therefore endangered. As these stories illustrate, killing the watchdog is a dangerous thing to do.

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