Results tagged “National Arts Journalism Program” from ARTicles
But the question is on the "be"--who is getting paid? (And what amount? Is this still a job?)
"Thank television for those few fat years."
Starts to send the bludgeoning message that no, you will be blogging out the goodness of your heart.
Sasha Anawalt more aptly describes this as an "awkward" transition of print-to-online models and acknowledges that there probably won't be one single solution to the next step.
Deborah Marrow (the Getty Foundation) doesn't believe foundations/philanthropy groups will be the savior of arts journalism. Like Anawalt, this is going to be a combination of financial resources ("hybrid models").
"Strategic Philanthropy" is a new approach being taken by foundations.
"Army of now-freelance journalist" is terrifying? Exciting? Maybe depends on if you are one?
Offline experience of a L.A. neighborhoods (Boyle Heights, L.A. River, Watts, Eagle Rock, etc.) reported online.
Uses a non-linear narrative of describing L.A. culture engaging in multimedia literacy.
I will be moderating the panel that includes author and Pulitzer Prize winner Margo Jefferson, Metro Weekly editor-in-chief and co-publisher Randy Shulman, and NPR digital media producer Trey Graham.
Find out why we're going on the NLGJA website:
The panel will explore questions including:
• How can we better cover minority artists and how can minority artists get better press coverage?
• How do we ensure that minority arts groups are not relegated to a "special interest" category in the press?
• With the recent cutbacks in arts coverage, how do we ensure the vitality of cultural reporting and give voice to lesser-known artists?
• How do we make minority arts stories accessible to the general readership?
• How do we diversify the pool of critics so that diverse artists and communities receive better representation?
If you have any issues you'd like to see addressed, please send us a comment.
This workshop is part of NAJP's goal that cultural reporting reflect what we term not diversity, but "reality"-- the reality that arts journalism comprises journalists and artists of all races, genders, and sexual orientation.
"NLGJA Goes to Washington" promises three days of hands-on workshops, hot-topic panels, and networking opportunities at the Hilton Washington Hotel. Learn more and register here.
There's nothing like looking over the past few entries on ARTicles (Rockwell, Christgau, McLennan, Munro) to kindle a warm, comfortable feeling about the state of professional journalism. But when you think about it, in American journalism, this period is the first major professional state of crisis we have experienced. Critics haven't been around that long in the scheme of things. Some of the titans are still alive.
Robert Brustein (left) responded to the news about Alan Rich's surprise empty severance package after three-score plus of writing music criticism by drawing my attention to this YouTube taping by Philoctetes of a recent conversation moderated by Roger Copeland with Stanley Kauffmann, Eric Bentley and himself.
Set aside an hour to watch "The Critic as Thinker," because this grouping may never happen again and within it is much gold. Wisdom does equal gold. (When our elders speak of "theater" try substituting the words "arts journalism" and see if you don't realize that revolution and outrage are as organic and necessary to journalism as they are to the arts. Bentley raises the spectre of "theater is dead" -- well, they say, it is continually dying and complaining about it is healthy for us, for theater. Fighting death, observing the changes, reporting on destructive causes, criticizing the corruption -- that's our job. Point is: fierce complaints and outcry are the precursors to real change. This is a good sign. That we are mad, upset, feeling as hopeless and indignant as we are -- bravi!)
If we don't know how to get ourselves out of this mess, it is partially because we don't have any road map; no history to teach us lessons. We are in the first stages of growth -- out of childhood and into adolescence with a wrenching, horrific jolt that goes by the name of Internet. Only the National Arts Journalism Program, to my knowledge and those who ought to know, took upon itself in its esteemed "Reporting the Arts" publications of 1999 and 2004 the task of surveying, researching, quantifying and qualifying what arts journalism is as a professional field. Otherwise we are somewhat in the dark, feeling our way.
In the time it would take to prepare similar studies and publish them, it may be too late.
For now, I'd say about 40 journalists, educators, artists, arts administrators, even clergy and regular citizens responded to the blog post ("Stand up for each other") that precedes this one with good ideas, concrete solutions, business models to pursue, leaders to follow and with generous, healthy outrage.
We are, as arts-centric reporters, definitely at risk. But people I never knew -- had it not been for the Internet and ARTicles -- are working on prompt, viable solutions. It's not too late. Yet.